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Sound Devices 688 mikser/rekorder 12 wejść, 16 trackSound Devices 688 mikser/rekorder 12 wejść, 16 trackSound Devices 688 mikser/rekorder 12 wejść, 16 trackSound Devices 688 mikser/rekorder 12 wejść, 16 track
Sound Devices 688 mikser/rekorder 12 wejść, 16 trackSound Devices 688 mikser/rekorder 12 wejść, 16 trackSound Devices 688 mikser/rekorder 12 wejść, 16 trackSound Devices 688 mikser/rekorder 12 wejść, 16 track

Sound Devices 688 mikser/rekorder 12 wejść, 16 track

Stan produktu: Nowy

Cena: 30 497,00 zł



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  • Opis produktu
  • Dane techniczne
  • Zasilanie
  • Torby
  • Kable i akcesoria

12 wejść , wbudowany rejestrator 16-ścieżkowy na kartę SDHC/Compact Flash, wyjście cyfrowe AES3. We/wy Time Code z wbudowanym generatorem i czytnikiem.

  • 12 wejść analogowych: 6 preampów przełączanych mic/line oraz 6 wejśc liniowych, wszystkie z faderami i PFL.
  • rekorder 16 ścieżek na kartach SDHC i CompactFlash; zapisywane pliki WAV & MP3 ze znacznikami timecode
  • funkcja MixAssist auto-mixer dla 12 wejść
  • Akcesoria opcjonalne do 688:
    • moduł zasilający SL-6 z systemem SuperSlot™ do podłączania odbiorników bezprzewodowych (3 dwukanałowe odbiorniki - 6 kanałów);
    • kontroler CL-6
  • możliwość równoczesnego podłączenia do 688 obydwu przystawek, SL-6 na górze a CL-6 do podstawy
  • osiem wyjść: L/R mix plus Aux 1-6; transformer-balanced XLR & Hirose outs for freedom from ground loops Two AES42/AES3 inputs, eight AES3 outputs.
  • Direct menu control of SuperSlot-compatible wireless (with SL-6).
  • PowerSafe protects files from power loss.
  • 2-second power on-to-recording.
  • Flexible digital mixing and routing.
  • Supports all sample rates up to 192kHz.
  • Adjustable input & output delay.
  • Three camera returns & dedicated COM return.
  • Internal & external slate mic inputs.
  • Ambient TC generator and reader and internal TC backup battery.
  • Easy to navigate interface, 1000-nit LCD visible in all light conditions, configurable metering.
  • USB Keyboard for metadata entry.
  • User-configurable headphone presets.
  • Light-weight, durable carbon-fiber chassis.
  • Powered by AA-battery (x5), external DC or NP1 via SL-6.

 

The 688 is a production sound engineer’s dream come true - a portable audio powerhouse that incorporates multi-channel mixer, auto-mixer, recorder plus optional SL-6 integrated powering and wireless system. By consolidating these functions, cabling requirements are significantly decreased, de-cluttering the sound mixer’s bag, increasing reliability and improving ease of use. The 688 takes the finest aspects of the acclaimed 633, 664, and 788T and creatively combines them with new technology into an unrivaled production audio tool.


Inputs and Outputs

The 688 has six high-bandwidth mic/line inputs on XLR connectors, each complete with phantom power, high-pass filter, analog input limiter and variable pan. Six additional line-level inputs on TA3 connectors offer flexibility for more complex productions.

 

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Routing Flexibility

All inputs are assignable, pre- or post-fade to its eight output buses, left/right plus Aux 1-6. The 688 can send its main left/right mix to three cameras simultaneously via transformer-balanced XLR and Hirose outputs.


MixAssist

The 688’s powerful digital processing engine delivers 12-channel auto-mixing capability using the most sophisticated algorithm on the market today. MixAssist automatically attenuates the level of inputs that are not active and helps maintain consistent background sound levels regardless of the number of open microphones. Comb filtering and phasing artifacts are also reduced when multiple mics pick up the same sound source by inteligently attenuating redundant mics.


Recording

The 688 offers 16-track, polyphonic or monophonic broadcast WAV file recording to SD and CompactFlash cards. All common sampling rates are supported, including 192 kHz on up to six tracks. The memory cards can be set independently, recording either identical material for real-time backup, or combinations of WAV and MP3 files.

 

 


PowerSafe™

The 688 incorporates exclusive PowerSafe circuitry with smart sensing of available power sources, front panel warning indication of power loss, and an integrated 10-second power reserve that will, in the event of an inadvertent power loss, allow the 688 to safely stop recording, properly end all file operations, and then automatically shut down.

 


QuickBoot

Power on and start recording in less than two seconds. You never have to wait on sound.


Timecode and Metadata

The 688 features a world renowned Ambient™ timecode generator and reader supporting all common rates and modes. A helpful time code compare utility shows the difference between internal and external timecode. The 688 also generates sound reports and supports extensive metadata, via the front panel or attached USB keyboard.

 




SL-6

For a virtually cable free bag, attach this optional power distribution and six channel wireless system. Its three slots provide powering and audio interconnection between the 688 and slot-in receivers plus fully integrated control and monitoring of SuperSlot™ compatible receivers. With its built-in RF signal distribution, the SL-6 reduces the need for multiple antenna while its NP1 battery slot, USB charging port, two 12 V isolated outputs, and two non-isolated direct battery outputs provide powering for peripheral devices. Read more about the SL-6. Read more about the SL-6.

 


CL-6

This optional input controller attaches to the bottom of the 688 and adds six full-sized tactile fader control of channels 7-12, sunlight-viewable LED metering and big, back-lit record and stop controls. When the CL-6 is attached to a 688, the 688’s mini-faders, originally assigned as faders for 7-12, switch to trim controls.

Frequency Response
10 Hz to 40 kHz ± 0.5 dB, -3dB @ 65 kHz (192 kHz sample rate, re 1 kHz)
THD + Noise
0.09% max (1 kHz, 22 Hz–22 kHz BW, fader at 0, 0 dBu output)
Equivalent Input Noise
-126 dBu (-128 dBV) maximum. (22 Hz - 22 kHz bandwidth, flat filter, trim control fully up)
Inputs
XLR Mic: Active-balanced for use with ≤600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max
XLR AES: AES3 or AES42 (10 V power), SRC
XLR Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
TA3 Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
RTN A,B,C (3.5 mm/10-pin): unbalanced stereo for use with ≤2k ohm outputs, 6.5k ohm actual
Slate Mic (TA3): 6.5k ohms
Input Clipping Level
0 dBu minimum
Maximum Input Level
XLR Mic: 0 dBu (0.78 Vrms)
XLR Line: +40 dBu (80 Vrms)
RTN A, B, C (3.5 mm/10-pin): +24 dBu (12.4 Vrms)
High-Pass Filters
Adjustable 80 Hz to 240 Hz, 18 dB/oct (up to 96 kHz)
Fixed 50 Hz, 6 dB/oct (192 kHz)
Input Limiters
Pre-fade (Inputs 1-6): +16 dBu threshold fixed, soft knee/ hard knee, 20:1 ratio, 1 mS attack, 500 mS release
Post-fade (Inputs 1-12): Adjustable threshold +4 dBu to +18 dBu, 20:1 ratio, 1 mS attack, 500 mS release
Input Delay
Adjustable 0-30 mS for each input in 0.1 mS steps
Maximum Gain
Mic-In to L/R/X1/X2/X3/X4 (Line): 91 dB
Mic-In to X5/X6 (Line): 88 dB
Mic-In to L/R/X1/X2/X3/X4 (-10): 77 dB
Mic-In to X5/X6 (-10): 74 dB
Mic-In to L/R/X1/X2/X3/X4 (Mic): 51 dB
Mic-In to X5/X6 (Mic): 48 dB
Headphone Max. Gain
63 dB (Line 1-6 input)
44 dB (Line 7-12 input)
103 dB (Mic input)
Outputs
Line (XLR and 10-pin): transformer-balanced, 120 ohms
-10 (XLR and 10-pin): transformer-balanced, 3.2k ohm
Mic (XLR and 10-pin): transformer-balanced, 150 ohms
TA3 (X1-X4) Mic/Line/-10: active-balanced, 240/3.2k/120 ohms
TA3 (X5/X6) -10: unbalanced, 100 ohms
Tape Out (3.5 mm): unbalanced, stereo, 1.8k ohms
Headphones (3.5 mm and 1/4”): unbalanced, stereo, 60 ohms
Line Output Clipping Level (1% THD)
20 dBu minimum with 10k load
Maximum Output Level
Line: +20 dBu (7.8 Vrms)
-10: +6 dBu (1.5 V rms)
Mic: -20 dBu (0.078 Vrms)
Tape Out: +6 dBu (1.5 Vrms)
Output Limiters
L/R and X1/X2, adjustable threshold +4 dBu to +18 dBu, soft knee/hard knee, 20:1 ratio, 1 mS attack, 500 mS release.
Output Delay
Adjustable 0-417 mS (0-12.5 frames @ 30fps) for each output in 1 mS steps
Recording Tracks
16 tracks (12 inputs, 4 output buses L/R, Aux 1/2)
Broadcast WAV monophonic and polyphonic file format, MP3 with time code metadata
A/D
24-bit, 114 dB, A-weighted dynamic range typical
Sampling rates 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz, 88.2 kHz, 96 kHz, 192 kHz
Digital Outputs
AES3 transformer-balanced, in pairs; 1-2 (XLR-L), 3-4 (XLR-R), 5-6, (Hirose 10-pin RTN A), 7-8, (Hirose 10-pin RTN C)
110 ohm, 2 V p-p, AES and S/PDIF compatible
Recording Storage Type
SD, SDHC, SDXC Card, CompactFlash (CF)
FAT32 formatted (32GB), on-board memory card formatting
Timecode and Sync
Modes Supported: off, Rec Run, Free Run, 24h Run, External
Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND
Sample/Timecode Accuracy: Ambient generator, ± 0.2 ppm (0.5 frames per 24 hours)
Timecode Input: 20k ohm impedance, 0.3 V - 3.0 V p-p (–17 dBu - +3 dBu)
Timecode Output: 1k ohm impedance, 3.0V p-p (+12 dBu)
Wordclock In/Out: square wave; 10k/75 ohm, 1-5V p-p input; 75 ohm, 5V p-p output, at SR
Wordclock Termination: 75 ohm, Off
Power
External: 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-).
Internal: accepts 5 AA-sized (LR6) batteries, nominal (NiMH rechargeable compatible)
PowerSafe: 10 second power reserve
Idle Current Draw
680 mA @ 12V (8.16W) - inputs 1-6 powered on, CF and SD media inserted
Environmental
Operating: -20°C to 60°C, 0 to 90% relative humidity (non-condensing)
Storage: -40°C to 85°C
Dimensions (H x W x D)
5.3 cm x 32 cm x 19.8 cm;
(2.1 in. x 12.6 in. x 7.8 in)
Weight
4 lbs. 14 oz. (unpackaged, without batteries)
2.21 kg (unpackaged, without batteries)
Kable, przejściówki, akumulatory, ładowarki, zasilacze.

Kable i przejściówki
Kabel D-tap na Hirose Ambient AK-HS4-PC2M
Do zasilania zewnętrznego urządzeń przez gniazdo DC IN Hirose z akumulatorów wyposażonych w gniazdo D-tap.
Przejściówka NP-1 na Hirose Sound Devices XL-NPH
Umożliwia podanie zasilania zewnętrznego z akumulatorów typu NP-1 na gniazdo DC IN Hirose.

Akumulatory
Akumulator płaski NP-1 z 2 gniazdami D-tap SWIT S-8073N
Standard w zasilaniu audio.
Akumulator V-lock SWIT S-8320S
Super płaski i lekki oraz wodo i upadkoodporny. Gniazdo D-tap.
Akumulator V-lock SWIT S-8082S
Bardzo mały i lekki akumulator typu kostka. Gniazdo D-tap.
Akumulator V-lock SWIT S-8083S
Duża pojemność i małe gabaryty. Gniazdo D-tap.

Ładowarki
Swit SC-302 ładowarka na 2x NP1 NP-1 SWIT SC-302
Ładowarka jednoczesna na 2 akumulatory NP-1.
V-lock SWIT PC-U130S
Pojedyncza. Ładuje poprzez styki główne akumulatora.
V-lock SWIT S-3822S
Podwójna, jednoczesna, szybka.
   
   
   


 
 
Sound Devices CS-688 Orca OR-32 Orca OR-34
Sound Devices CL-6 Sound Devices CL-12
Sound Devices SL-6
     
 
Sound Devices XL-WPH3 Sound Devices SAM-32SD Sound Devices SAM-32CF
     
Ambient HBS664-10Y7-5
10-pin Hirose męski oraz złącze 5-pin Lemo (TC-out) na 7-pin XLR męski oraz 7-pin XLR żeński na 2x 3-pin XLR męski z kablem powrotnym przez 5-pin XLR żeński oraz złącze BNC 90°
Ambient HBS664-10Y7-35
10-pin Hirose męski oraz złącze 5-pin Lemo (TC-out) na 7-pin XLR męski oraz 7-pin XLR żeński na 2x 3-pin XLR męski z kablem powrotnym przez 3.5mm jack oraz złącze BNC 90°
Ambient HBS10Y7-5
10-pin Hirose męski na 7-pin XLR męski oraz 7-pin XLR żeński na podwójny 3-pin XLR męski z kablem powrotnym 5-pin XLR żeński
   
Ambient HBS10Y7-35
10-pin Hirose męski na 7-pin XLR męski oraz 7-pin XLR żeński na podwójny 3-pin XLR męski ze spiralnym kablem powrotnym 3.5mm jack
Ambient HBS10Y10-5
10-pin Hirose męski na 10-pin Hirose żeński oraz 10-pin Hirose męski na podwójny 3-pin XLR męski z kablem powrotnym 5-pin XLR żeński
Ambient HBS10Y10-35
10-pin Hirose męski na 10-pin Hirose żeński oraz 10-pin Hirose męski na podwójny 3-pin XLR męski ze spiralnym kablem powrotnym 3.5mm jack
     
Ambient HBS10-7
10-pin Hirose męski na 7-pin XLR męski
Ambient HBS10-10
10-pin Hirose męski na 10-pin Hirose żeński

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